Mixed Blood Essay Example For Students

Mixed Blood Essay The question of race has been a long debated topic that still has not been answered. Jeffrey Fish embraces this issue in his writing entitled, â€Å"Mixed Blood. † The document opens by proposing the question of â€Å"What is race? †, then breaking it down into smaller factions. The two lesser questions that are formed instead are: â€Å"How can we understand the variation in physical appearance among human beings? How can we understand the kinds of racial classifications applied to differences in physical appearance among human beings? † The preliminary hypothesis determined is that race is a myth and does not really exist. Yet, Fish chooses to expand on various possibilities that may lead to other conclusions. Over the millenniums, evolution of man has been slow, but very significant. Through different means of mutation, natural selection, and genetic drift, the human species has come to numerous modifications. Although, the concept of genetic drift is what intrigues the minds of most individuals. The concept of adaptive value seems to appear as a major role in physical differences. For instance, the first settlers of the New World all had different characteristics depending on the environment they lived in. Those that stayed further North, such as the Eskimos, usually had short, rounded bodies with light faces. These features were developed due to the weather. The rounded figures were to help insulate their bodies and as a result of little or no sunlight the skin color of these people were often very light. In contrast to this are the settlements of cultures South near the Equator. Indians from Central America to South America held dark complexions and thin frames as a result from the exposure to intense heat. For these reasons a consistent biological approach can not be assessed on terms of skin color or body size. Rather now we have simply broken the human species into three distinctions of Caucasoid, Mongoloid, and Negroid; which everyone seems to fall inside of, or do we. Americans tend to classify people on many terms. Blood, being one of the most definitive of today, has brought about a whole new way of trying to classify people. The word hypo-descent plainly explains this by stating that a person is the heritage of the less prestigious race. The lines of descent are that of white, being at the top, Asian, the intermediate, and black as concluding the chart. In other words, since my friend Amber has a white father, but black mother then she is considered black. Still, the idea of hypo-descent is nothing merely than the tale of one’s ancestry and is non-informative of the person themselves. Such instances form the expression that race is not just a physical, but a social classification. To offset this notion, Fish gives an example of Brazilian folk taxonomy to give a different perspective on the scenario. Yet, the realization is that different cultures have different ways they choose to classify themselves. Therefore, there methods and ideology of race can be completely foreign. In conclusion, the tested hypothesis was correct. America has no conception of race. It can not be done due to its diverse angles included. With the increase of immigration as well as intermarriage the fast rising category is now â€Å"Other. † It has nothing to do with a biological standpoint. Rather it is a cultural issue and how one chooses to observe the issue. The correlation of this article to the rest of our class and cultures are deeply intertwined. First, we have begun by discussing the essence of culture. Where it comes from, who’s involved, and what is it composed of are each within the composition of the metes and bounds of culture. Then further readings have taken light of the shifting in culture and race which have caused such stirring debate. Finally, we deal with such true incidents like this all the time, whether by external or internal thought. It is a part of our society and a harsh matter we must deal with like it or not because this is what the future holds for our species.

Brechts The Good Woman of Setzuan free essay sample

Bertolt Brechts The Good Woman of Setzuan portrays the struggle to be good while living in a corrupt society and the delicate balance needed to survive within it. An analysis of Bertolt Brechts play The Good Woman of Setzuan. Throughout the play Shen Te juggles her promise to be good with the necessity to be bad. The author finds through the protagonist and the creation of her doppelganger, The Good Woman of Setzuan portrays the struggle to be good while living in a corrupt society, and the delicate balance needed to survive within it as seen in Shen Tes struggle as a good woman leading the life of a prostitute. `Shen Te, a good woman, a prostitute, and the only one willing to take three gods into her home is rewarded with 1000 silver dollars, with which she is to `above all be good`(712). This mission tears her in two. We will write a custom essay sample on Brechts The Good Woman of Setzuan or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Shen Te and her doppelganger Shui Ta are in a delicate balance of power. Shen Te needs to keep her promise to the gods by being a good woman, helping those around her in need. Because Shen Te is too good, those she helps threaten to ruin her own survival. To remain a good woman Shen Te must create someone to fight for her. Like parents, both Shui Ta and Shen Te make up the whole of one unit. Shen Te is a nurturing, sweet mother-type while Shui Ta becomes a strict, disciplinarian, father-type. Through the protagonist and the creation of her doppelganger, Brechts The Good Woman of Setzuan portrays the struggle to be good while living in a corrupt society, and the delicate balance needed to survive within it.`

Critical Thinking Model Sample Essay - How to Write a Proven Essay

Critical Thinking Model Sample Essay - How to Write a Proven EssayIn this Critical Thinking Model Sample Essay I'll show you how to write a convincing essay. You see, we are not supposed to believe the facts, but rather to create a chain of logic. After all, as Aristotle said 'The human mind has been designed to be a logical machine.'The first thing you need to do is realize that your essay doesn't have to be perfect. Yes, that is possible, but remember that it doesn't make your essay better.The most basic component of any essay is to convince the reader of something. You need to show that you are an intelligent and well-written individual. One who can write a convincing essay. Think about the end goal you want to achieve.Another element of the Critical Thinking Model is 'information'. A lot of times when writing essays we take too much information into account. Don't worry, that's called being a reader.It's the same when writing essays. When we read the information the key point, th e one to focus on is our own essay. As I've said before, the purpose of the essay is to convince the reader of something.Therefore, when we read we only focus on the important information we need, what does our essay mean to us. This means we need to write without taking information and filtering it through our thought process.Focus on what your essay is for, what is its purpose, and what are the key points you are trying to get across. Not on what the person may think or believe.If you do this and continue writing as a true writer, you will begin to develop your writing skills. You will get the ability to express yourself in a different way.

Amritsar Massacre, 1919

Amritsar Massacre, 1919 The European imperial powers committed many atrocities during their period of world domination.  However, the 1919 Amritsar Massacre in northern India, also known as the Jallianwala Massacre, surely ranks as one of the most senseless and egregious.   Background For more than sixty years, British officials in the Raj had viewed the people of India with mistrust, having been caught off-guard by the Indian Revolt of 1857. During World War I (1914-18), the majority of Indians supported the British in their war effort against Germany, the Austro-Hungarian Empire, and the Ottoman Empire.  Indeed, more than 1.3 million Indians served as soldiers or support staff during the war, and more than 43,000 died fighting for Britain. The British knew, however, that not all Indians were willing to support their colonial rulers.  In 1915, some of the most radical Indian nationalists took part in a plan called the Ghadar Mutiny, which called for soldiers in the British Indian Army to revolt in the midst of the Great War. The Ghadar Mutiny never happened, as the organization planning the revolt was infiltrated by British agents and the ring-leaders arrested. Nevertheless, it increased hostility and distrust among British officers toward the people of India. On March 10, 1919, the British passed a law called the Rowlatt Act, which only increased disaffection in India.  The Rowlatt Act authorized the government to imprison suspected revolutionaries for up to two years without a trial. People could be arrested without a warrant, had no right to confront their accusers or see the evidence against them, and lost the right to a jury trial.   It also placed strict controls on the press. The British immediately arrested two prominent political leaders in Amritsar who were affiliated with Mohandas Gandhi; the men disappeared into the prison system. Over the following month, violent street scuffles broke out between Europeans and Indians in the streets of Amritsar.  The local military commander, Brigadier-General Reginald Dyer, issued orders that Indian men had to crawl on hands and knees along the public street, and could be publicly lashed for approaching British police officers. On April 13, the British government banned gatherings of more than four people. Massacre at Jallianwala Bagh On the very afternoon that freedom of assembly was retracted, April 13, thousands of Indians gathered at the Jallianwala Bagh gardens in Amritsar.  Sources say that as many as 15,000 to 20,000 people packed into the small space. General Dyer, certain that the Indians were beginning an insurrection, led a group of sixty-five Gurkhas and twenty-five Baluchi soldiers from Iran through the narrow passages of the public garden. Fortunately, the two armored cars with machine guns mounted on top were too wide to fit through the passageway and remained outside. The soldiers blocked all of the exits.  Without issuing any warning, they opened fire, aiming for the most crowded parts of the throng. People screamed and ran for the exits, trampling one another in their terror, only to find each way blocked by soldiers. Dozens jumped into a deep well in the garden to escape the gunfire, and drowned or were crushed instead. The authorities imposed a curfew on the city, preventing families from aiding the wounded or finding their dead all night. As a result, many of the injured likely bled to death in the garden. The shooting went on for ten minutes; more than 1,600 shell casings were recovered.  Dyer only ordered a ceasefire when the troops ran out of ammunition. Officially, the British reported that 379 people were killed; its likely that the actual toll was closer to 1,000.   Reaction The colonial government tried to suppress news of the massacre both within India and in Britain.   Slowly, however, word of the horror got out.  Within India, ordinary people became politicized, and nationalists lost all hope that the British government would deal with them in good faith, despite Indias massive contribution to the recent war efforts.   In Britain, the general public and the House of Commons reacted with outrage and disgust to news of the massacre. General Dyer was called to give testimony about the incident.  He testified that he surrounded the protestors and did not give any warning before giving the order to fire because he did not seek to disperse the crowd, but to punish the people of India generally. He also stated that he would have used the machine guns to kill many more people, had he been able to get them into the garden.   Even Winston Churchill, no great fan of the Indian people, decried this monstrous event. He called it an extraordinary event, a monstrous event. General Dyer was relieved of his command on grounds of mistaking his duty, but he was never prosecuted for the murders.  The British government has yet to formally apologize for the incident.   Some historians, such as Alfred Draper, believe that the Amritsar Massacre was key in bringing down the British Raj in India.  Most believe that Indian independence was inevitable by that point, but that the callous brutality of the massacre made the struggle that much more bitter. Sources Collett, Nigel.   The Butcher of Amritsar: General Reginald Dyer, London: Continuum, 2006. Lloyd, Nick. The Amritsar Massacre: The Untold Story of One Fateful Day, London: I.B. Tauris, 2011. Sayer, Derek. British Reaction to the Amritsar Massacre 1919-1920, Past Present, No. 131 (May 1991), pp. 130-164.

Free Essays on The Stranger - Mersault As The Absurd Man

The main character, Mersault, in Albert Camus’ The Stranger, has a detachment from everything in life. He is a private man who lives by himself in an apartment. Mersault accepts life as it comes and is not dynamic enough to change the ways of the world, a characteristic that aids in classifying him as an â€Å"absurd man†. As he said himself, â€Å"I’ve always been far too much absorbed in the present of the immediate future to think back†(127). However, Mersault’s realization of his coming death caused a transformation of the character’s perspectives, as the definition of an absurd man indicates. Mersault reveals much about himself in the opening of the novel when his mother dies. He does not grieve over her loss, and doesn’t cry at her funeral, a factor that would later send him to the guillotine. His present physical condition would contribute to his attitude at that point. At the funeral, he was sleepy and â€Å"the sensation of someone posted at my back made me uncomfortable†(7), thus responsible for his sour attitude. At the point and time of the murder, Mersault was feeling hot and miserable from the intense heat, and his physical condition beat his non-existent spiritual conscience that would tell him it was wrong to murder someone. To reiterate the absurdness of his proclivity to not be worried about morals that are important to the rest of society, he even told his attorney that he had no reason to shoot the Arab. There are times in the novel when Mersault even realizes his own absurdness. During the trial the judge was â€Å"brandishing a crucifix before his eyes†(85), yet all he could think about was the stifling hot room and the big flies buzzing around his head. Yet, he says, â€Å"I realized it was absurd to feel like this, considering that, after all, it was I who was the criminal†(85). However, when Mersault learns that he will be decapitated by guillotine he comes to terms with thoughts of hi... Free Essays on The Stranger - Mersault As The Absurd Man Free Essays on The Stranger - Mersault As The Absurd Man The main character, Mersault, in Albert Camus’ The Stranger, has a detachment from everything in life. He is a private man who lives by himself in an apartment. Mersault accepts life as it comes and is not dynamic enough to change the ways of the world, a characteristic that aids in classifying him as an â€Å"absurd man†. As he said himself, â€Å"I’ve always been far too much absorbed in the present of the immediate future to think back†(127). However, Mersault’s realization of his coming death caused a transformation of the character’s perspectives, as the definition of an absurd man indicates. Mersault reveals much about himself in the opening of the novel when his mother dies. He does not grieve over her loss, and doesn’t cry at her funeral, a factor that would later send him to the guillotine. His present physical condition would contribute to his attitude at that point. At the funeral, he was sleepy and â€Å"the sensation of someone posted at my back made me uncomfortable†(7), thus responsible for his sour attitude. At the point and time of the murder, Mersault was feeling hot and miserable from the intense heat, and his physical condition beat his non-existent spiritual conscience that would tell him it was wrong to murder someone. To reiterate the absurdness of his proclivity to not be worried about morals that are important to the rest of society, he even told his attorney that he had no reason to shoot the Arab. There are times in the novel when Mersault even realizes his own absurdness. During the trial the judge was â€Å"brandishing a crucifix before his eyes†(85), yet all he could think about was the stifling hot room and the big flies buzzing around his head. Yet, he says, â€Å"I realized it was absurd to feel like this, considering that, after all, it was I who was the criminal†(85). However, when Mersault learns that he will be decapitated by guillotine he comes to terms with thoughts of hi...

National cinemas are structurally marginal, fragile and dependent on Essay

National cinemas are structurally marginal, fragile and dependent on outside help. What value, if any, does a national cinema ha - Essay Example Everyone benefits from a lively national film industry, from those who are involved in making the movies to those who watch and even society as a whole, since ideas are transmitted from films to viewers to people around them. One very clear indication of the importance of financial support is the case of Alberta, Canada. In 1973 Alberta created its own provincial film board to encourage Alberta film productions at the advice of the National Film Board. The other provinces immediately followed the success of this plan, so Canada had both a National and Provincial film funding in each province, and it was important, because Canada’s regions are all different. The ethnic and national heritage of different regions stems from different waves of immigration plus the added cultures of the First nations People. Despite its phenomenal success until 1996, Ralph Klein went on a cost cutting spree and cut out the funding in 1996. The Alberta film industry went from a very successful $150- million in 1995 to $50-million by 1997 (FRASER, 2011). 2/3s of the production moved to British Columbia. Even the Alberta and national governments lost money on this deal, since the Alberta industry had created more tax income then the cost of the funding. Once the funding dried up the talent followed the industry move to BC. â€Å"Film is capable of both painting and shaping society.†(Bellucci, 2010) It is a well researched conclusion that film that records aspects of any conflict feeds an â€Å"us vs them† perception and tends to become a symbol of culture and create an â€Å"ethos of conflict† (Benziman, 2013). This can have an interactively reciprocal effect on how the different factions perceive the conflict, and on the culture as a whole. "The conflict shapes national identity, while changes in national identity influence the course of the conflict." (Bar-Tal, Raviv, Raviv, and Dgani-Hirsh 2009; Bar-tal 2010) So movies that depict present or past conflicts change how they are viewed and how the participants feel about themselves and others. The conflict does not have to be armed, or even serious, but just its existence and the acknowledgement of the differences and the perceptions of one being superior effects the national attitudes. This changes the â€Å"National Narrative† of the countries involved, which, in turn changes future history. Because the EU was created to encourage fair trade without tariffs. Any state subsidy or tax benefits essentially breaks this rule. However, because of the perceived need for support of cultural activities in the member states, the European Union introduced the Maastricht Treaty. It allows member states to support independent films important to their cultures. The idea was to allow member states to support non-commercial film making as long as trade and economies were not directly affected. However, some problems developed when defining what kinds of films would qualify. France and the UK w ere the main dissenters. France considers all film to be cultural and necessary, so wants to support all film, even commercial productions. The creation of a definition of â€Å"difficult films† for beginning enterprises, whach are considered worthy of support, was not enough for them. The UK adopted a very detailed definition of a â€Å"difficult film† using the possibility of profit, the size of the target audience and the popularity of the subject matter as criteria. Basically, the idea was to

Analyze a particular area of the film industry Essay

Analyze a particular area of the film industry - Essay Example I am not the lone exception. My career objective has always been to offer the best for my customers keep them updated on the changes immediately and learn to cope with the challenges that arise so as to try to come up with a conducive environment for my customers. Successful businesses are customer focused. They let their entire business evolve around their customers. It involves thinking on how one can sell what they want to create. Using creativity to avail what a customer wants. Finding means and ways of reaching large numbers of people. Not only majoring their marketing to only their nations but also reaching the entire world if possible. This is today made easier through the advancing technology in marketing (Armstrong and Sweeney, 1994). Operational marketing attracts and keeps customers by providing prompt services to them. They do this at the shortest time possible at the highest level of quality. They meet and exceed customer expectations in cost and time frame. They are inc orporated in the marketing and advertisement so as to ensure its process remains of highest quality at the same time allows the company handle a large number of transactions as fast as possible. They act as the links between the business and the customers (Honeycutt et. Al., 1995). Practical aspects of marketing on film industry/culture sector. Several practical aspects of marketing on film industry/ culture sector have been realized in the past few years. This has led to the advancement and easiness in marketing as a whole. Just to mention few-: Digital marketing is a highly practical and advance level course for those who work in independent film festivals. Its main aim is to develop a network of digital marketing experts. To ensure the sector of the cultural cinema uses appropriately the potential of digital marketing to engage the audience. This has made marketing even faster (Jackson and Artola, 1997). Mapping of the creative industry has helped in the solving of the complex ch allenges faced in the past centuries. It solves the problem of polarization and inequality between nations. It avails strategies to unleash the creative potential of each and everyone to respond to the far reaching cultural, economic, technological and social shift that man is living through (Jeurissen and van, 1998). Job creation-: a majority of the developing and the industrialized countries have started programs for promoting the micro, small and medium enterprises at the courtesy of their job creation. This helps the youths and those without permanent jobs to be self employed hence reduction of the rate of unemployment. This has also led to the wide spread of the film industry. Remote areas can now access the industry through the various awareness being created in their vicinity (DCMS, 2001). Emergence of new industries-: the satisfaction of peoples thirst and demand of cultural products in social, cultural and technological changes has increased. This is due to the emergence of new industries. It has led to new forms of entertainment, distractions and inspiration. They include computer games, web designs among others (Hesmondhalgh, 2002). They have replaced older cultural industries. It has also brought a very positive gain on the youths. It helps in curbing the loitering and bad behaviors that may arise due to idleness. Film and screen studies helps in the development of critical understanding of film and screen theory. To criticize and appreciate the relationship between film, media and culture. To provide